YAMAMOTO HANA
MSS
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YAMAMOTO HANA
MSS
Yokosuka, where I have been conducting a field survey for a year and a half – a land where many Americans reside in Japan because of the U.S. military base, although I have never had the opportunity to naturally engage with US military personnel in the past. Even though I live in Yokosuka some day, such opportunities must to be rare, and relying on a “teach/be taught” structure may be the quickest way to get involved with someone, and may even have a win-win effect. That assumption led a way to make this 7 minutes video work.
In this work, “M.S.S.” shows a person when studying the slang used on a U.S. military base (=military slang sayings) by herself, in preparation for the day when he/she will be involved with U.S. military people. Without knowing whether there is a chance to actually use those slangs in conversation. The aim of the video work is taking back to my hands an ability for being optimistic in self-taught language studying, in the society of Japan that learning English is a kind of way to be privilege. In between the act of studying a language that one does not know when one will use it, and the act of learning a language that, even if learned, seems to be useless(but being fullfilled with hope).
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YAMAMOTO HANA
Artist, born in 1999. She obtained BA from Tama Art University after a stay in New York. Through transformations sparked by fieldwork and everyday experiences, she explores points of contact with her world, translating these perceptions into objects. she has an interest in processes through which the ephemeral endures, by observing the unique movements inherent in various materials. While photography forms the foundation of her practice, she works various mediums. Notable exhibitions include the solo show “Offset” (Philosopher’s Stone, 2024), and “Anima in the Fog” (Wall_Alternative, 2024).