FUJIKURA ASAKO
THE PROJECTIONS
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FUJIKURA ASAKO
THE PROJECTIONS
This work addresses the issue of the global supply chain (logistics) that involves the extraction and mining of resources from “other lands” and their transportation and distribution to “this land”—a process essential to the formation and maintenance of modern cities. The extraction of raw materials from the surface, underground, and biosphere is vital not only for energy and mineral resources but also for the development and operation of miniaturized electronic devices. These processes support both our physical and digital living environments.
The work consists of three murals. Two of them depict fictional landscapes, created with 3DCG, that show a panoramic view of an imaginary mining site. In these scenes, extracted materials are transported and processed into industrial products, gradually shaping the urban space. Scattered across these landscapes are ten pyramids that share the same texture as the mining site. These pyramids represent “projections”—condensed and materialized viewpoints—of imagined objects created using the extracted resources.
The third mural presents ten fragmented images, each observed by one of these projections. These projections exist as both material and information, reflecting the layered nature of perception and representation in this work.
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FUJIKURA ASAKO
Born in 1992. Asako Fujikura is an artist whose practice centers on 3DCG animation to explore the spatial depth and hidden structures of infrastructures that traverse urban and suburban landscapes.
She holds a B.A. in Persian from Tokyo University of Foreign Studies (2016) and an M.F.A. in New Media from Tokyo University of the Arts (2018).
Her recent solo exhibitions and major projects include:
The Bampool at the Cliff in Front (Tokyo Bay, 2022),
Paradise for Free (Calm & Punk Gallery, 2021).
She has also participated in recent group exhibitions such as:
Invisible Matters in the City (SusHi Tech Square, 2023–24),
Urban Sansui (kudan house, 2023),
Energy in Rural [Exhibition Phase 2] (Aomori Contemporary Art Centre, 2023).